…nd purview. It, also, may be more just serrendipity that team Suzuki's jazz found such a following. No cookie-cutter unit as you indicate the sound structure is has a pre-fabulous form without being too formulaic to reinterpret, so one may expect his team is rolling in royalties with a hint of business acumen—nice work if you can get it—and if so without being cynical, they're quite a chop-shop.
Maybe more than the pervasiveness of the sample, I’m amazed that Suzuki doesn’t seem to have much other work out there, at least not with him billed at the top. It’s almost like he recorded his masterpiece and was throughly satisfied.
Thanks for reading!